method

Artist / Author	Dick Raaijmakers
Editor	Vincent W.J. van Gerven Oei
Publisher	onomatopee
ISBN	978-9-078454-35-9
Reference	p1901
Date	2009
Type	Publication

Stolen Voices album

Artist/Author: Stolen Voices | Reference: P4056 | Type: Publication

An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.

In glass cabinet.

We are the Market!: The Commercial City Centre as the Final Commonplace

Editor: Freek Lomme | Reference: P4007 | ISBN: 9789491677878 | Type: Publication

Calls out to freedom in the capitalist commons, within the cultural production of the high street.

Part of Library of Performing Rights (P3041).

A Year In The Country: Wandering Through Spectral Fields

Artist/Author: Stephen Prince | Reference: P3649 | ISBN: 978-0957400726 | Type: Publication

Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.

Community Theatre: Global Perspectives

Artist/Author: Eugene Van Erven | Reference: P3285 | ISBN: 978-0415190312 | Type: Publication

Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on the author’s own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.

Part of the Library of Performing Rights (LPR).

Life and Death on the New York Dance Floor, 1980-1983

Artist/Author: Tim Lawrence | Reference: P3252 | ISBN: 978-0822362029 | Type: Publication

Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.