This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth. The publication presents transcripts of these tapes, documenting the artist's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.
Part of the Library of Performing Rights (P3041)
Documenting a six-year relationship with photos, video stills, letters and ephemera, this book is a stunning, intimat, and wholly original visual narrative by two rising artists who put queer consciousness on the front burner.
Autobiography of an artist who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades.
An ongoing series of auto-drawings exploring libidinal economies and sexual desire. Started in 2009, these works (which will continue for the rest of McKenzie's life) are made by the artist orgasming onto Universal Litmus paper, the results being meticulously recorded not only visually but also in terms of the date and time that they were 'composed'.
In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.
For 12 days in November 2002, Marina Abramovic lived on three open platforms in the Sean Kelly Gallery in New York. She did not eat or speak, nor did have any privacy: the rooms were open and spectators were even invited to observe the artist through a high-powered telescope. This volume presents documentation of The House With the Ocean View alongside essays by the artist, her gallerist Sean Kelly, art historian Thomas McEvilley, curator Chrissie Iles, Cindy Carr, RoseLee Goldberg and Peggy Phelan.
A double CD of selected items and several hour-long radio broadcasts produced and curated by Mel Brimfield, who spent a year and a half collecting, commissioning and honing submissions for 24 hours' worth of content.
David Wojnarowicz explores memory, the longing for love and sexuality in the specter of AIDS. Cartoons, paintings and writings.
Diaries of the artist David Wojnarowicz, capturing the emotional, sexual and political chaos of modern urban life.