Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Tender Order by Jade Montserrat, made with Jane Lawson and edited by Industria, centres ‘matters-of-care’, detailing aspects of self-care and the impacts to self-care made by environmental or socio-political frameworks.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
Veganism, Sex and Politics explores the potential dangers and irresistible pleasures of living a vegan life.
Issue No 6 of Substanz featuring text by Adela Picón and Maricruz Peñaloza.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in Spanish and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Documentation of the event marking the end of Restock, Reflect, Rethink Four, a project about Live Art and Cultural Privilege.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.