Documenta 4
Notes
Part of a DVD collection collection to curatorial practices and exhibition history called Archives. This film by Jef Cornelis constitutes an accounts of the exhibition DOCUMENTA 4.
| Artist / Author | Jef Cornelis |
|---|---|
| ISBN | 978-3-03764-257-3 |
| Reference | D2168 |
| Date | 2012 |
| Type | DVD |
Keywords
Similar items
Networked Bodies: The Culture and Ecosystem of Contemporary Performance
“This publication assembling the practices and discourses of ‘Asian contemporary performance’ is assuredly a statement of ‘the world we have made’ for the now and the future, as well as a means of connecting TPAC and other ‘worlds.’ “－Ruo-Yu LIU, Chairwoman of Taipei Performing Arts Center
“While it is now hardly unusual to find choreographers working in an exhibition setting, or visual artists performing on a stage, it is still rare to see practitioners from the different fields working together, as can be found at ADAM.”－John Tain, Head of Research at Asia Art Archive
“With various understandings from multiple disciplines, life journeys and international practices, this publication is neither a collected manifesto, nor an imprint of harmony and integration. On the contrary, it is the very embodiment of incarnations and trajectories of the world history and the network of contemporary corporeality.”－Chun-Yen WANG, Art Critic
Creating Ourselves: The Self in Art
This book explores the self in modern and contemporary art. Accompanying an exhibition in four chapters of the ISelf Collection at the Whitechapel Gallery, it looks at the complex ways in which artists are thinking about identity as an individual, in relation to others, to society and the wider world.
André Stitt: Dingo - A treatment towards a new communionism
Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.
Sibylle Omlin: Smoky Pokership- Perform the Exhibition Space
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
We are the Market!: The Commercial City Centre as the Final Commonplace
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
Library of Light: Encounters with artists and designers
Brings together established and emerging practitioners who work with light, as material or subject.
Animals
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
Landscapes: John Berger on Art
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Performance in Contemporary Art
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
Copyright for Archivists and Records Managers
This comprehensive manual outlines copyright law in the UK with special reference to materials relevant to archive and records collections such as maps, legal records, records of local authorities, records of churches and faiths, most notably unpublished works. It also offers advice on rights in the electronic environment and the problems associated with rights clearance; and covers related areas such as moral rights and rights in databases.
Across the Art/Life Divide: Performance, Subjectivity, and Social Practice in Contemporary Art
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
