Cally Trench, Philip Lee, Body Body Clay Pane, a live body performance with clay devised in response to Adam Marsh’s ‘ A Throne Is Only A Bench Covered in Velvet’
Artist/Author: Laura Bissel, Gary Gardiner, Sarah Hopfinger, Rachel O'Neill | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0917 | Type: Article
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Artist/Author: Dietrich Karner, Sabine Breitwieser, Ute Meta Bauer, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Corinne Diserens, Benjamin H. D. Buchloh, Birgit Pelzer, Dan Graham, Malcolm Le Grice, Steve Anker | Editor: Sabine Breitwieser | Reference: P4215 | ISBN: 3-901107-14-2 | Type: Publication
Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
Unframing Photography: Performing the Image to See Otherwise is a new book by transdisciplinary artist Manuel Vason, and his third publication with LADA after the ground-breaking Exposures (2002) and Double Exposures (2014).
Artist/Author: David Berman, Theresa Brayshaw, Season Butler, J.R. Carpenter, Karen Christopher, Sophie Grodin, Erini Kartsaki, Joe Kelleher, Orit Kent, Andrea Milde, Mary Paterson, Rajni Shah, Litó Walkey, David Williams, Jemima Yong, | Editor: Karen Christopher and Mary Paterson | Reference: P4207 | ISBN: 978-1-78938-504-5 | Type: Publication
This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.
Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.