Published on the occasion of Hayley Newman’s exhibition The Daily Hayley at Matt’s Gallery, London 15-30 September 2001. Includes an essay by Aaron Williamson and a self interview with Newman by Newman. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195), the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Seeks to question ideas of legitimisation of the artist through publication.

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Catalog of an exhibition of works by Szuper Gallery at Whitechapel Art Gallery, London, 12 January 12 – 4 March, 2001.

Collected during research trip to China and Hong Kong. February 2004.

Footage of the performance recorded at variuos indoor and outdoor venues.

Monographic publication on Anderson’s work. Chronological survey of Anderson’s work throughout the 1970s, 1980s and 1990s, including collaborations and context.

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Contemporary Theatre Review, Vol 10, Part 3.

Drawn from papers and discussions first heard at one day conference held at the Birmingham Institute of Art and Design, University of Central England, 5 June 1999.

Part of the Library of Performing Rights (LPR) (P3041).