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A Year In The Country: Wandering Through Spectral Fields
Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures
This collection of writings by the author of Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures.
Man Enough to be a Woman: The Autobiography of Jayne County
Wild, hilarious and shameless account of Jayne’s life from her cissy-boy childhood in Georgia to her 90s renaissance, as a new wave of superstars claim her as their inspiration.
Part of the Library of Performing Rights (P3041)
Vrystaat Arts Festival 2017 programme
Programme for the Afrikaans language festival that forges creative connections with English and Sotho cultures; 18-22 July 2017.
Some Wear Leather, Some Wear Lace: The Worldwide Compendium of Postpunk and Goth in the 1980s
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
DollyWould
What is it this time? Oh, is it unemployment? Is there a crisis? Did the government do something wrong again? No, it’s a show about Dolly Parton.
Music that Dances, Dances that Sing
Interview with Meredith Monk.
Noise, Water, Meat: A History of Sound in the Arts
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
Singapore International Festival of Arts 2016 programme
The 2016’s season centres on the theme of Potentialities – the potential to develop in the future and transform society.
11 August – 17 September 2016.
Black Performance on the Outskirts of the Left: A History of the Impossible
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
