A4 folder. Unbound pages. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
|Artist / Author||Various|
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
Catalogue of an exhibition of artwork commissioned for particularly notable and challenging sites throughout Britain & Northern Ireland.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
Documents the large scale, public art event March of Women spilling out onto the streets of Bridgeton on the eve of International Women’s Day 2015.