Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.
Published on the occasion of the LEER-GUT, an exhibition held at the Kadenz/Geldern Gallery in November 1992.
In German.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
Includes essays on Black Market International.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Around 500 participants – usual radio listeners, no dancers or actors – were invited to enter the Leipzig train station, equipped with cheap, portable radios and earphones. By means of these devices they could listen to a radio program consisting of a choreography suggesting permitted and forbidden gestures (to beg, to sit or lie down on the floor etc.).
Archive documenting the photographer's work up to 2006.
Part of the Library of Performing Rights (LPR) (P3041).
Report by the 2016 Travel Fellowship holder.
Report by the 2016 Travel Fellowship holder.
From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.