Catalogue > By Keyword > femininity
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La manda (No soy persona, soy Mariposa)
Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.
If You Want Bigger Yorkshire Puddings You Need A Bigger Tin
Video recordings of performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
Barflies
Exerpts of a three-screen video installation presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.
Pierre Molinier: Pierre Molinier
Catalogue published on the occasion of the homonymous traveling exhibition.
The Cinema of Sally Potter: A Politics of Love
Drawing on archival materials and in-depth interviews, Mayer's book opens up historical, political and cultural vistas to give a full account of feminist filmmaker Sally Potter's career.
Male Trouble: Masculinity and the Performance of Crisis
Male Trouble explores how Wetern masculinity has increasingly appeared as a troubled gender category in recent times, using a variety of performative case studies. Includes a chapter on work by Ron Athey and Franko B.
Adrian Piper: Race, Gender and Embodiment
Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.
Femininity, Time and Feminist Art
Critical exploration of feminist art investigating femininity as a relationship to time
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
Part of Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification.
Mother’s 200-2005: Traces of the Future
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.
Miss High Leg Kick’s Fashion Bus
Performance Saga - Interview 04 - Carolee Scheemann
Series 4 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. English and German languages. Accompanying dvd: REF. D0991
