Incorporates 13 short-films by 13 different filmmakers, each a reconfiguration of a once-live work from the last 12 years of Farquhar’s practice.
A work centring around a choral piece for which Karikis invites an ex-miners’ choir to recall and sing the subterranean sounds of a working coal mine.
Programme for How We Became Metadata at University of Westminster’s 309 Regent Street gallery.
Investigates the current conditions for making and presenting contemporary art.