Catalogue > By Keyword > criticism
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Taking a hard look at the self
An article on autopbiographical perforance, including Fake It Till You Make It (Bryony Kimmings, Tim Grayburn), Elizabeth Taylor is my Mother (Suzie Hardgrave, La Mama Theatre), The Blueform (James Pratt, La Mama Theatre).
Immersive, verbatim & immersively verbatim
Reviews from New York: Sleep No More (Punchdrunk), The Sound and the Fury (Elevator Repair Service), Argument Sessions (Ilana Baker)
Laurie Anderson: Do dogs aspire to nirvana?
Feature on Duets on Ice, Landfall and Dirtday!.
Hybrid collection
All issues (pilot-6) of the “international cross-artform bi-monthly”.
In the Flow
Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.
Performing Motherhood: Artistic, Activist, and Everyday Enactments
Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Leaky Bodies and Boundaries: Feminism, Postmodernism and (Bio)Ethics
A feminist investigation into the marginalization of women within western discourse that denies female moral agency and embodiment.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Blacktino Queer Performance
The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices.
In Place of a Show
An account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished.
Restless Images: The Feminist Performances of Rose Finn-Kelcey
Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).
Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
