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E:vent
E:vent was established by Colm Lally as an artist-run project space in 2003. The programme, which ran from 2003 to 2011, included 120 events (performances, exhibitions, talks and screenings), with contributions from over 400 artists, curators, thinkers, talkers and provocateurs of various kinds. This publication is dedicated to the vibrant and generous community of people involved in producing this rich body of work.
While You Are With Us Here Tonight
Organised around the text from ‘First Night’ (2001) the book reflects on Etchells’ practice with Forced Entertainment and solo work, while exploring contemporary performance documentation.
Performance Matters – Potentials of Performance – Alienating The Archive
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Alienating The Archive dramatises the archive through a Brechtian “making strange” of the material relations to documents and the systems of preservation.
Pacific Standard Time – Collection
Pacific Standard Time is the culmination of a long-term Getty Research Institute initiative that focuses on postwar art in Los Angeles. Through archival acquisitions, oral history interviews, public programming, exhibitions, and publications, the Research Institute is responding to the need to locate, collect, document, and preserve the art historical record of this period. This is a small collection of mixed printed material from related events.
Memory
Anthology surveying the phenomena of invocation and activation of memory, as well as active forgetting. Documents of Contemporary Art series.
Art, Live and Videotape
Four performance artists meet to consider the use of video in their work and their relationship to the medium. Can be found in Miscellaneous folder number 3
Living as Form : Socially engaged art from 1991 - 2011
Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.
Performing Remains
Explores the role of the fake, the false and the faux in contemporary performance and investigates the aesthetic and political potential of re-enactments.
Beginningless Thought/Endless Seeing
A fully illustrated colour catalogue documenting the 2009 retrospective exhibition of the artist Stuart Sherman.
Presence-Absence Polarity Destabilised
Article discussing the publication Perform, Repeat, Record by Amelia Jones and Adrian Heathfield. This edition can be found in the RealTime magazine file. perform repeat record is also available in the study room. Ref number: P1813
