Radical Intimacy: Ontroerend Goed Meets The Emancipated Spectator

Video documentation of an online book launch of  A Good Love Story by Sibylle Peters on 14th February 2021. This conversation spanned  love, intimacy and isolation, the state of Pleasure Activism today,  heterasexuality and the question of what constitutes a good love story.

Sibylle Peters was joined by artist, activist and editor of German pop feminist Missy Magazine Margarita Tsomou; writer and sexual health activist Almaz Ohene; artist and activist Brian Lobel; artist and Heteraclub collaborator Ansuman Biswas; Canadian based artist and activist Cassie Thornton; and artist and A Good Love Story editor Hester Chillingworth.

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander

This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.

This story is a product of lockdown, of not being able to create gatherings and experiences with, and for, other people. It is an account of intensely personal histories and experiences, that usually stay behind the screens. It is also a document of the Heteraclub project and the safe space created there, in which hundreds of women shared their stories of love and pleasure.

Looks at two pieces which  use the ‘scene’ of wreckage to pursue coherence.

Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.

Part of the Library of Performing Rights (P3041).

Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.

Documentation from the public screening of Adrian Howells’ works featuring presentations from Adrian’s collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online  18 July – 1 August 2016 on the LADA Screens Channel.

A documentary about a series of one-to-one performances that took place in a hotel in Austria.

Part of LADA Screens. The film was available online  4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).

An idyllic location, a perfect spot, but something just isn’t quite right, something doesn’t fit.

Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.