Attitude performance-installation at ‘Infecting the City Public Arts Festival’, Cape Town, South Africa, 2013
| Artist / Author | Sebastian Klemm |
|---|---|
| Reference | P2254 |
| Date | 2013 |
| Type | Publication |
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg. 59-67
In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg.49-57
Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.
Art Review Issue 26 / October 2008
pg. 74-81
Feature on Elmgreen & Dragset : Inconvenient Truths
A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.
Languages: German, English
Contemporary Theatre Review Volume 31 Issue Number 3 August 2021
Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.