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Rasheed Araeen, Live Art, and Radical Politics in Britain
Courtney J. Martin
The University of Chicago Press , 2010
Getty Research Journal
immigration, Commonwealth, xenophobia, sculpture, performance art, , race, racism, 1960s, 1970s, 1980s, UK, black, politics, activism,
An analysis of Araeen's performance Paki Bastard (Portrait of the Artist as a Black Person) and journal Black Phoenix.
Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)