Catalogue for touring exhibition of Michael Pinsky’s video installation.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Feminist science fiction that anticipates a post-patriarchal future.
Documents a series of site-specific performances which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
On observing the Wooster Group process.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Eight issues of the interview zine about performance.