Two articles dedicated to the artist and her work.
Artist / Author | Movana Chen |
---|---|
Reference | P1455 |
Date | 2009 |
Type | Publication |
Contemporary Theatre Review, Volume 31 Issue Number 3 August 2021
Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
This paper was written for ‘In the Loop 10’, an academic knitting conference at Winchester School of Art in July 2018.
This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.
Issue No 4 of Substanz featuring text and drawings by Saskia Edens.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in French and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Photographs of the work of Cécile Feilchenfeldt in collaboration with Elaine Rutishauser.
Text in German.
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation of exhibition by Katja Schenker.
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
A heady brew of feminist critique of the art world and extreme body horror.
Examines fandom as a set of practices for approaching and writing about art.