Exhibition of selected objects from the Cuming Museum collection, including the Lovett Collection of Superstitions. Modern Witchcraft is an exhibition, curated by Juan Bolivar, at the ASC gallery (London) that could also be called ancient and modern.
| Editor | Juan Bolivar |
|---|---|
| Publisher | ASC Studios |
| Reference | P2156 |
| Date | 2013 |
| Type | Publication |
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
Explores fat activist language.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Feminist science fiction that anticipates a post-patriarchal future.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.