(Let the Water Run its Course) to the Sea that Made the Promise
Notes
This catalogue item has no notes associated with it.
| Artist / Author | Forced Entertainment |
|---|---|
| Reference | D1277 |
| Date | 1991 |
| Type | DVD |
Keywords
Similar items
Penetration in Live Art and Video: a lecture by Ron Athey
Documentation from an online lecture by Ron Athey on Penetration in Live Art and Video. This lecture formed part of LADA’s 2020 Summer Programme.
Penetration – be it bodily, spiritual or sexual – is a recurring motif in Ron Athey‘s work. In this lecture, which comes as he begins work on a new project, Athey will explore the artistic potential of the contemporary post-porn movement in relation to his practice.
LADA Screens Rosalind Fowler Isik Sayarer and Eva Knutsdotter in conversation
Video documentation of an online artist conversation with Rosalind Fowler, Isik Sayarer and Eva Knutsdotter in December 2021. This conversation followed an online screening of BREADROCK, I feel like doing this, a film by artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler.
BREADROCK, I feel like doing this is a visceral homage to cultural history, memory and universal myth. Melding experimental and ethnographic filmmaking, the work presents a series of staged vignettes drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities, to create new kinships, myths and culture.
Stages of Evil: Occultism in Western Theater and Drama
In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.
Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
Moving-Writing
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
the death of a bird at the end of the world: ritual as practices of dialoguing with sites
Part of ‘series of rituals practicing ways to dialog with the natural world’ by Fernanda Branco, MA in Performance Norwegian Theatre Academy//Østfold University College.
Performance in an Age of Precarity
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
A Way / Away
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
köppl/začek 1997-2007
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
FUTURERITUAL Film night
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Pop Goes Live Art – Icons on Icons documentation
Documentation of the event organised as part of LADA’s 20 anniversary celebrations across 2019: some of LADA’s icons present their own pop culture icons.
Pleading in the Blood: The Art and Performances of Ron Athey
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
