Interview: Hope Springs Eternal
Notes
Interview featuring TY Jeffries and Miss Hope Springs
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Unbound Zine: Xiaomei Going Overseas
Unbound Zine: Xiaomei Going Overseas is a 30-minute surreal drag performance mixed with field trip recordings of East and Southeast Asian queer self-publishing heroes.
Screened at LADA at Live Art Bookshop x Queer and Feminist Zine Spirits Across Borders on Saturday 13 Dec 2025.
COMMUCRACY NOW!
The world’s biggest and only autistic green Drag Queen, Oozing Gloop is back and inspiring people to re-imagine the structures that govern their lives. Defying usual understanding of meaning and belonging, this world to come is run via a new economy of government – Commucracy! (But what the fuck is Commucracy? Read the manifesto.)
Follow Oozing Gloop on this epic trip, where you’ll find psychoactive solutions for psychopathetic citizens trapped behind the very screens that are there to help them communicate. From the highest to the lowest Oozing Gloop will seek to link the universal to the particular to revive the democratic impulse and pose the communist hypothesis.
Commucracy Now! is a companion piece to Glooptopia!, Oozing Gloop’s latest theatre show, and is a direct challenge to the notion that people with Autism “struggle with social imagination”, and also to the simple fact it’s easier to imagine the end of the world than the end of capitalism. We have a wealth of apocalyptic omens, disaster movies and critique; but zero 21st century post-capital-culture. Oozing Gloop defies this with revolutionary zeal and determination to open radical new spheres of imagination and fantasy! Just as we got through that, we can get through this!
This video was screened as part of Land, Material, Memory at Tate Britain on Saturday 28 February 2026.
The Cholmondeleys and the Featherstonehaughs
2024 marks the 40th anniversary of The Cholmondeleys dance company, founded in 1984 by Lea Anderson, Teresa Montano, and Gaynor Coward. Inspired by the DIY culture of post-punk UK, they wanted to create something that resonated with their friends, blending dance with the energy of fashion, music, and club culture of the 1980s.
They named themselves The Cholmondeleys, like a band. Emerging from this vibrant time, their performances featured collaborations with British artists, including choreographer Lea Anderson, costume designers Sandy Powell, Emma Fryer, Simon Vincenzi, composers Drostan Madden & Steve Blake, and lighting designer Simon Corder. Together with their sister company, The Featherstonehaughs (founded in 1988), they produced over 87 works, both live and on film, performing in the UK and internationally. This rich creative legacy is captured in an archive of images by photographers such as Chris Nash, Pau Ros, and Matilda Temperley, now presented together for the first time in this celebration of The Cholmondeleys and The Featherstonehaughs.
Acts of Affect: siren eun young jung’s Yeoseong Gukgeuk Project
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg. 59-67
In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.
Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
pg.49-57
Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.
Sex, Drag, and Male Roles : Investigating Gender as Performance
This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.
LINEAGES OF TRASH
Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.
DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47
"DRESS UP AND WE LOVE YOU" AN AUTOETHNOGRAPHIC EXPLORATION OF QUEER PERFORMANCE CLUB BAR WOTEVER
DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19
Queer Fiesta: Hybridity, drag and performance in Bolivian folklore
On hybridity, drag and performance in Bolivian folklore
Performance Research pg 98-106, On Hybridity Volume 25, No 4, June 2020.
Countersexual Manifesto
Seeking to overthrow all constraints on what can be done with and to the body, Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire.
Kiss My Genders
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
Unicorn: The Memoir of a Muslim Drag Queen
From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.
Part of the Library of Performing Rights (P3041).
