A survey of new dance in Germany and the USA.
| Artist / Author | Hedvig Muller, Norbert Servos, Noel Carrol |
|---|---|
| Publisher | Laban |
| Reference | A0778 |
| Date | 1983 |
| Journal | Dance Theatre Journal |
| Type | Article |
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.
One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements.
“Writing the body with the body” consists of fragments taken from performance texts by Stefanie Knobel, which are juxtaposed with a series of pictures created for this volume
Kindly donated for the Swiss live Art Study Room Guide.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
La Ribot, Exhibition catalogue. 11/8-2/9 2017, Berlin.
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
Publication made as part of a choreographic work investigating the relationship between theoretical, aesthetic and performing aspects of an artistic work. Includes two essays: ÆØÅ and Pointing back.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.