*currently unavailable*
Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.
| Artist / Author | Grant H. Kester |
|---|---|
| Publisher | University of California Press |
| ISBN | 9780520238398 |
| Reference | P2076 |
| Date | 2004 |
| Type | Publication |
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg42-50
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Artists book accompanying the exhibition Tongue-tied at Matt’s Gallery, 2-24 November 2019.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
The second volume of the landmark trilogy consent not to be a single being.
Draws on the theory and practice of the black radical tradition to support, inspire and extend contemporary social and political thought and aesthetic critique.