MA dissertation.
Artist / Author | Michael David Jones |
---|---|
Reference | P1478 |
Date | 2010 |
Type | Publication |
Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
This story is a product of lockdown, of not being able to create gatherings and experiences with, and for, other people. It is an account of intensely personal histories and experiences, that usually stay behind the screens. It is also a document of the Heteraclub project and the safe space created there, in which hundreds of women shared their stories of love and pleasure.
On making a case for arts subsidy in the face of austerity.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Documenting words and stories found as part of a treasure trail through Bethnal Green’s gardens and growing spaces.
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Artists from the Tempting Failure 2018 festival, photographed on an instant camera in the moments after their performance.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.