Catalogue > By Keyword > visual art
406 results | Page 13 of 41
A Different Temporality: Aspects Of Australian Feminist Art Practice 1975-1985
Exhibition catalogue; Monash University Museum of Art, 13 October – 17 December, 2011
Part of the Library of Performing Rights (LPR) (P3041).
Beginner’s Guide to Community-Based Arts
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
Art for Change- Loraine Leeson
Published on the occasion of the eponymous exhibition, held at the NGBK Berlin, from November, 4th to December 23rd 2005. In German and English.
Part of the Library of Performing Rights (LPR) (P3041).
The New Rules of Public Art
Published to coincide with the launch of Public Art Now, a programme of events and discussions which explore new forms and approaches to public art.
Part of the Library of Performing Rights (LPR).
The Battle of Visions
Exhibition catalogue; 11 October – 3 December 2005; Kunsthalle Darmstadt. In English ad German.
Part of the Library of Performing Rights (LPR) (P3041).
The Art of Truth-telling About Authoritarian Rule
The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.
Part of the Library of Performing Rights (LPR) (P3041).
The Guerrilla Girls’ Bedside Companion to the History of Western Art
Take a romp through the last two thousand years of Western Art and find out the real who, what, when, and why of art history.
Part of the Library of Performing Rights (LPR) (P3041).
Drunken Boat: Art Rebellion Anarchy
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
Empty Stages, Crowded Flats: Performativity as Curatorial Strategy
Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
I WON’T DO WHAT YOU TELL ME
Part project part catalogue: split into three distinct sections the book brings together artists and academics to explore the impact of gentrification and the possibility of resistance.
