This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Brian Lobel- excerpts and full stage performances of: Ball & Other Funny Stories About Cancer, Carpe Minuta Prima, Hold My Hand and We're Halfway There, Cancer and Cigarettes, Tommyknockers, Guerilla Pub Quiz, Yoga at St.Barts and Fun with Cancer Patients
Trashing Performance Photographs, 25-29 October 2011 by Christa Holka. Still images from talks and performances: 25 Oct – Trashing Salon, Mel Brimfield ‘This is Performance Art’, 26 Oct – Under/Overwhelmed, Lauren Berlant, Adrian Howells, Jennifer Doyle, Bird La Bird, Lisa Blackman, David Hoyle, Scottee, 27 Oct – Underground/mainstream, Neil Bartlett, Dominic Johnson, Bruce Benderson, Keith Khan, Performance Space, Lois Keidan, Mara Vujic, Dickie Beau, Gavin Butt, This is Not a Dream, Ben Walters, 28 Oct – outsider actions, Oreet Ashery, Joe E. Jeffreys, Bettina Knaup, Platform, Liberate Tate, Rocío Boliver, Bavand Behpoor, Marcia Farquhar, Femuseum, Lois Weaver, Amy Lame, Carmelita Tropicana, Bird La Bird, 29 Oct – Common, Franco Bifo Berardi, Tania Bruguera, Tavia Nyong’o, Simon Casson, Ingo Cando, Common Culture, Vaginal Davis.
This item is part of the Study Room Guide to Remoteness (P2600).
Event documentation.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This documentation has since been presented with the permission of Revelation Films as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.