Seeks to question ideas of legitimisation of the artist through publication.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Feminist theatre companies taken in consideration: Women’s Theatre Group, Monstrous Regiment, Gay Sweatshop, Siren, Theatre of Black Women, Talawa, Sistren, Black Mime Theatre Women’s Troop, Tattycoram, Clean Break Theatre Company. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Retrospective look at Performance Art in Vancouver, 1965 – 2000.
Drawn from papers and discussions first heard at one day conference held at the Birmingham Institute of Art and Design, University of Central England, 5 June 1999.
Part of the Library of Performing Rights (LPR) (P3041).
A large format and graphically bold publication that goes to the very heart of contemporary debate about the responsibility and function of the arts and of artists in society today.
Platform Study Room Guide (P1820). This item is referenced in the Dreams for an Institution Guide (P2313) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Surveying 25 years of the artist’s practice.
Action art in Berlin’s government district, from Christoph Schlingensief to the Center for Political Beauty.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).