A duet collaboration between two choreographers (one disabled, one non-disabled) working together on dance performances that touch the borders of mainstream assumptions about implicit and explicit images of ‘the contemporary dancer’ and the different potentials for our bodies to be seen as knowing, skilful and passionate.

Contains extracts and a 37 minute edit.

2008.

A duet collaboration between two choreographers (one disabled, one non-disabled) working together on dance performances that touch the borders of mainstream assumptions about implicit and explicit images of ‘the contemporary dancer’ and the different potentials for our bodies to be seen as knowing, skilful and passionate.

Work in progress (2007).

Includes a research document and a short WIP edit.

All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.

Includes:

Dual performance to Skype camera

Blood, 2013 (1:47); Block, 2013 (1:48); Lançar- to throw 2013 (0:39); Alinhar – to Align, 2013 (0:58); Cloud try 3, 2013 (0:51); Red line, 2015 (0:50); A short story, 2015 (1:04); Annunciation 1 & 2, 2015 (2:08)

Dual performance to the camera

Skull-line, cranial suture, 2014 (0:46); Measuring the room, 2014 (1:27); Tables, 2015 (2:05); To do with you, 2016 (2:20); Push, 2011 (1:25); Dictionario (excerpt), 2011; And –And, 2016 (3:44)

Drawing on many examples from contemporary performance, this book is a provocative starting point for understanding the surprisingly complex relationship between theatre and the body. Foreword by Marina Abramovic.

A series of conversations with dance artists, curators and directors, who share their experiences of presenting or performing dance in museum and gallery spaces.

A collection of postcards documenting a collaborative series of performances by visual artists Frances Mezzetti and Pauline Cummins from 2008 to 2014.

MANUAL is a collaborative publication by performance artist Victoria Gray and writer-artist Emma Cocker. The publication is a response to Berthing Bone, a video work by Victoria Gray. MANUAL complrises photographic stills from the video Berthing Bone, alongside writing by Gray and Cocker.

Includes biographical sketches of participating dancers, musicians, and visual artists.

La Ribot in conversation with Franko B.

An extensive series on Lin Hixson and Goat Island.

Collections of films made between 1978 and 1981 including “We Imitate”; “We Break Up” (1978), “The Broken Rule” (1979), and “Out of Hand” (1981), iconic and original works of the ‘Pictures Generation’.