Drawing on many examples from contemporary performance, this book is a provocative starting point for understanding the surprisingly complex relationship between theatre and the body. Foreword by Marina Abramovic.
| Artist / Author | Colette Conroy |
|---|---|
| Publisher | Palgrave Macmillan |
| ISBN | 978-0230205437 |
| Reference | P2883 |
| Date | 2010 |
| Type | Publication |
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
A discussion in 17 thematic segments. 53 minutes.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Draws on the theory and practice of the black radical tradition to support, inspire and extend contemporary social and political thought and aesthetic critique.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Examines fandom as a set of practices for approaching and writing about art.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.