A lively round-table discussion on the nature of participation in Live Art. Part of Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
. Followed by a discussion with Curious
Documentation of four performance interventions at various sites in London
Publication accompanying the permanent public realm sculpture project for Shoreditch Park and Mabley Green. Accompanying video documentation REF. D1038.
Films by Lucy Cash. Total duration: 27 mins.
A permanent public realm sculpture project for Shoreditch Park and Mabley Green.
With accompanying booklet, REF. P1124.23.25 minutes.
Guide accompanying the exhibition and auction of works dedicated to the 100th anniversary of the roundel.
Booklet of abstract drawings to ‘record’ the the route of the Number 30 bus.
Performance video.
Project presented as part of Trafalgar Square Festival. DVD ROM version for cross-platform and selected DVD players. All video files are in VTS format – VLC compliant.
Durational performance, 1-21 February 2008.
Publication documenting the projects and proposals for the installation of permanent and temporary public art on stations, trains and public spaces.
On public art in London.
in German, English, French, Dutch – issue ten
Documentation from a major contemporary live art event curated by performance artists Lee Adams & Ron Athey and produced by the Hayward Gallery, South Bank Centre, London, as part of the exhibition Undercover Surrealism.
A ten minute documentary made in collaboration with the NSPCC and a group of inspiring African teenagers who were brought or trafficked into the UK but overcame desperate situations and, with incredible will, built new lives for themselves in London.
Part of the Library of Performing Rights (LPR) (P3041).
Archival recordings of Armistice Day and Remembrance Sunday two minute silences recorded at The Cenotaph, Whitehall, London, United Kingdom.
This item is referenced in the Making Routes Study Room Guide (P1964).
As part of Tate Moderns pre-opening programme in 1999, artist Mark Dion and a team of local volunteers combed the shore of the river at Bankside in front of Tate Modern, and at Millbank, opposite Tate Britain.
This item is part of the Study Room Guide to Remoteness (P2600).
Company documentation.
Sitting up reading late at night, the author reflects on the links between the homosexual of the 1980s and his counterparts of a century ago, between gay lives today and those of Oscar Wilde, his friends, lovers and acquaintances.
On the challenges facing policy and provision for Live Art in England.
Part of Sacred, a season of contemporary performance at the Chelsea Theatre, London, 19 October 2012 – 1 February 2013. No. 3 of 10. For the complete series see Ref. D2069-D2078.