“The Training Needs of Senior Promoters and Producers of Live Art Working in England”
|Artist / Author||Linda Ludwin|
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
A detailed look at the extensive 14-18 NOW programme, which was set up to bring a creative response to the centenary of the First World War.
Brings together established and emerging practitioners who work with light, as material or subject.
Brings together commissioned pieces by 50 artists and theorists whose works have shaped steirischer herbs over the past decade.
A catalogue that collects, anticipates, and activates the fantastic experiences and happenings of Fusebox 2018.
A limited edition book of photography and artworks emerging from the intimate eight-year collaboration between the avant-garde queer performance legend and the acclaimed London performance photographer.
A limited edition publication exploring a series of innovative live performances and events.
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
Contains performance programme, performance texts and 3 CDs/DVDs, which include still images, a 6 minute edit and video of the full performance.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.