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Live Collision Study Boxes Study Room Guide
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
She Got Love
Ana Mendieta. She Got Love gathers over 130 works by this Cuban-American artist, created between 1972 and 1985 and chosen from among the most significant in the prolific production of her brief life.
Adrian Piper: Race, Gender and Embodiment
Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.
Enacting Others: Politics of Identity
Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.
Hairoism
Video work accompanying the homonymous durational performance in which the artist imitates the hairstyles of four famous men. The video consists of found footage of the four public figures mixed with performance material. Performers: Oreet Ashery, Andrew Mitchelson and Owen Parry.
Being Mammy, (Mammy’S Looks)
Performance video commissioned by Picture This, Bristol, as part of “Ghosting”, a series of research-based commissions on the themes of archive, memory and ethnography.
Helen Chadwick: Constructing Identities Between Art and Architecture
Discussion of works and creative process of Helen Chadwick in relation to architecture, the body, and identity
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
