Two reviews of IMBT 15.
Cassette tape; title: 'Crowd Scan. Final version. (Radio J.)'
Unknown date.
In a series of letters composed to each other and delivered to camera, artist Tim Etchells and writer Adrian Heathfield examine what underlies their shared interest in the notion and forms of Variety.
73 minutes. 2006.
A scurrilous series of imaginary hyperbolic art-world related events conceived as an impossible parallel programme for the exhibition In An Absolut World True Taste Comes Naturally at Camberwell Space, London, April 29 – June 5, 2015.
Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept’s disintigrating authority.
an anthology of source materials for performance
Kalb weaves his impressive historical knowledge of theatre into detailed descriptions of marathon productions he has seen and studied.
Organised around the text from ‘First Night’ (2001) the book reflects on Etchells’ practice with Forced Entertainment and solo work, while exploring contemporary performance documentation.