The essay interrogates Hadas Ophrat's piece Insomnia.
Newspaper accompanying the performance installation which focuses on how policy change directly affects low income families through austerity measures that sanction welfare claimants and push people into vulnerable positions. Includes interviews and performance script.
Zine of the research-based project, which uses objects left behind by those who are seeking a better life and/or have to move to survive. The objects were left behind on the Greek island of Lesvos and at a transition centre in Serbia and have been “borrowed” by people living in London, used to start conversations with young people, in installations and as part of performances.
Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A moving tribute to the life and death of the artist’s white mother mother who raised her mixed-race children in the face of frequent racism 1960s but never let them forget they were of African descent and to be proud of their heritages. Includes selected poems by the same author.
See also D2230.
Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.
This item can be found in the locked glass cabinet.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Publication documenting de la Rosa's participation in the 'A world of your own workshop', led by Geraldine Pilgrim.
Commissioned by the Institute for Contemporary Arts in 1995, The Story of M is a moving tribute to the life and death of the artist’s white mother mother who raised her mixed-race children in the face of frequent racism 1960s but never let them forget they were of African descent and to be proud of their heritages.
Four Institute boys, Neal, Gabriel, Sid and James, narrate their first ever protests with the help of their parents Lena Šimić and Gary Anderson and four activists x-Chris, Ritchie Hunter, Mel Evans and Ewa Jasiewicz.