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Mother’s 200-2005: Traces of the Future
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.
Rite
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Between the Vanguard and the Peripheral: Artists’ and Curators’Residencies
The System: Citizenship, Education, Finance, Identity, Social Security, Work, Utilities
Freud on Holiday Volume II - A Disturbance of Memory
Re-imagines journeys made (and sometimes dreamt) by Freud to European sites of archaeological importance. TheEnglish text is followed by a Greek translation.
Human Futures - Art in an Age of Uncertainty
Artistic artefacts, original quotations and creative writing that considers the social impact of technology for humanity.
The Live Art Almanac Vol 1
A collection of writing about and around Live Art. See also, The Live Art Almanac vol. 2, catalogue ref. P1696. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
A Performance Cosmology - Testimony for the Future, Evidence of the Past
Explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
On the Page
disc accompanying volume 9. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
