Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Artists an practitioners are interviewed by Franko B: Small Acts at the Millennium. Italian arts magazine, this article is printed in English.
Explores the phenomenon of artists making work to show in their own homes.
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Inhabits a liminal space, hovering somewhere between reverie and spectacle, hesitantly attempting to map the troubled psychic territory of our millenarian obsessions, anxieties, daydreams and nightmares.
London, May 2004.