Monograph. Includes artworks and writings by Pepe Espaliu, introductory essay by Juan V. Aliaga, with additional essays by Adrian Searle and Marie-Laure Bernadac.

A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.

Elevn illustrated essays explore the structure and meaning of Duchamp's work as part of an ongoing critical enterprise that has just begun. Ranging from the Munich period and the development of the ready-mades to the last work, Etant donnes, they present the latest thinking on Duchamp and his ideas. 

The first sustained publication on the artist and writer of Scottish and Ghanaian heritage who lived and worked in Britain. Originally accompanied the exhibition, Maud Sulter: Passion at Street Level Photoworks in Glasgow, 25 April – 21 June 2015.

Includes exhibition programme from Maud Sulter: Syrcas at Autograph ABP in London, 15 January – 2 April 2016.

A performance sculpture that segregates the artist in the “white cube” environment that has come to epitomise the contemporary art world. 

Video commissioned by LADA for 'talking heads' series part of Access to all areas: Live art & disability in New York.

Edited video from Performance Sculpture, 2014. 3:26

Video by Peter Richards

Issue 26 March 2013. Re:Performance; includes photographs, essays and interviews.  Guest Editors: Sarah Mosca and Kim Fasher (Superkaleidoscope).

 This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5194.

A TV documentary following Howells' visit to Israel, where he performed at the Women's International Festival. With Hebrew and Russian subtitles. 

42 minutes. 

Anatomy Live turns the modern notions of the dissecting table on its head – using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage.

Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten. 

Includes DVDs, programmes, flyers. In two folders.

Includes: Icing (Oval House, 1978), Circus Lumiere, Abduction (ICA, 1992), Beauty and the Beast (1983), Paradise (ICA, 1989), Panic I, (Camden Music Festival, 1987), Panic II (Gardner Cente Brighton, 1987), Vulture Culture (Brisbane, 1987 and Henley Festival, 1984), Special Forces (Oval House, 1976), Jean Pool (1979) , War Dance (Nottingham Castle, 1989), Deadwood  (Kew Gardnes, 1986), Senseless (ICA, 1983), Brightside (1984), Dinning with Alice (1999 and 2011), Fifty-Five Years of the Swallow and the Butterfly (Penzance, 1990), Glazed (Chapter, 1979),  Giants (Birmingham Arts Lab, 1979),  Entertaining Strangers (Lyric Hammersmith, 1986),  Slips (1981), Son of Circus Lumiere (Edinburgh Festival, 1982), Why is Here There Everywhere Now? (Riverside Studios, 1991), Heart of Ice (The Place, 1987), String of Perils (Albany Empire, 1980), The Appeal (Channel 4, 1982), Tip Top Conditions (1981 and 1988), Dogs (Oval House, 1976)