A book about the implosion of nature and culture in the joint lives of dogs and people, who are bonded in “significant otherness”.
Draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Part of Library of Performing Rights (P3041).
Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres. Revised and Enlarged Edition
Includes: Theatre / Archaeology, The script’s not the thing, Welsh Heterotopias, and an interview with Geraldine Cousin
Publication focuses on Grau's practice, and specifically videos created between 1994-2008.
In German and English.
Engages the virtually invisible subject of older women in western culture.
Part of Library of Performing Rights (P3041)
Catalogue of the exhibition of Wilke's last work. January 8 – February 19, 1994, Ronald Feldman Fine Arts, New York
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
The audience mingle with the performers on the performance floor, which might be a kind of soirée or Don Giovanni’s ball. In the glass cabinet.
Against the background of the disembodied voice a visceral and sado-masochistic exchange between bodies makes voyeurs of its audience. In the glass cabinet.