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Theatre and Museums
Bennett looks at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.
Anna Birch archive
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Singularities: Dance in the Age of Performance
Lepecki surveys a decade of experimental choreography to uncover the dual meaning of ‘performance’ in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five ‘singularities’ in contemporary dance: thingness, animality, persistence, darkness, and solidity.
Stuart Brisley: Performing the Political Body and Eating Shit
Published on the occasion of the exhibition Stuart Brisley: Headwinds, MAC Belfast, 30 January-26 April 2015.
The Peterlee Project 1976-1977
Published on the occasion of Brisley’s exhibition State of Denmark at Modern Art Oxford, September-November 2014.
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
PSI#12 documentation
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
Conceptual Art in Britain 1964-1979
The book explores the textual work of Art & Language, Victor Burgin and others; the New Sculpture being produced by those such as Richard Long and Michael Craig-Martin; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.
On the occasion of the eponymous exhibition, April-August 2016.
Restless Images: The Feminist Performances of Rose Finn-Kelcey
Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).
Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Butlers Wharf
Includes history background information and chronology of artists.
Found in miscellaneous article folder #6
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
