This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
| Artist / Author | Various |
|---|---|
| Editor | New Work Network |
| Publisher | New Work Network |
| Reference | P1380 |
| Date | 2009 |
| Type | Publication |
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Contemporary Theatre Review, Volume 33, Issue 3 (2023)
Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković
This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.
Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Documentation of the event in which Dr Duckie – aka Ben Walters – explained ünt examined his just-completed PhD with Queen Mary University of London on Duckie in the Community. A Library of Performing Rights Open event.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.