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Issue no 5 of Substanz featuring text by Marc Mouci.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
An interview with women at the forefront of art and technology.
Liquid damage on publication.
On Harbourfront Centre 2014 World Stage Festival, Toronto.
Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).