Filed in Miscellaneous.
Artist / Author | Stephen Maine |
---|---|
Reference | A0555 |
Date | 2013 |
Journal | Artillery |
Journal date | Sep-Oct 2013 |
Journal page | 40-43 |
Type | Article |
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Feminist science fiction that anticipates a post-patriarchal future.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
On observing the Wooster Group process.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Eight issues of the interview zine about performance.
Asking urgent questions about drag today, Louche takes a critical and constructive approach to queer performance culture: its past, present and future. Featuring contributions from over thirty artists, writers and illustrators.