On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.
| Artist / Author | Margherita Laera |
|---|---|
| Reference | A0324 |
| Date | 2009 |
| Journal | Theatre Forum |
| Journal date | 1905-07-01 |
| Type | Article |
Documentation of the event marking World AIDS Day. Included a screening of Ron Vawter’s performance at the ICA in 1993 as part of LIFT and a conversation between Neil Bartlett and Nancy Reilly.
Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
A gathering of international transgender performers and their audiences in Liverpool in November 2011. Part of LADA screens.
Part of the Library of Performing Rights (P3041).