Catalogue > By Keyword > politics
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Silent Explosion: Ivor Davies and Destruction in Art
Exhibition catalogue. In Welsh and English.
National Museum Cardiff, 14 November 2015 – 20 March 2016.
Performance Art Faction Paper
Introduction to PAF; includes contributions by Hugh O’Donnell, Kris Grey, Fabiola Paz, Victoria Gray.
The House of Cards
Pack of cards, featuring officials of the self proclaimed Donetsk and Luhansk People's Republic.
Larger cards are used in the eponymous performance.
ZAHOPLENNYA
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
Izolyatsia 2012
A report on artistis-in-resdiency, art projects, educational events, creative village, inernational cooperation; includes end of year results.
Rasheed Araeen, Live Art, and Radical Politics in Britain
An analysis of Araeen's performance Paki Bastard (Portrait of the Artist as a Black Person) and journal Black Phoenix.
Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Agit Prop: Performance in Banff
Catalogue from the first performance series held at The Banff Centre and in Alberta. 9-25 July 1982.
Pink Labor On Golden Streets - Queer Art Practices
The publication builds on an exhibition and conference at the Academy of Fine Arts Vienna that explored the contradictory standpoints of queer art practices, conceptions of the body, and ideas of ‘queer abstraction,’ a term coined by Judith Jack Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire. It is particularly concerned with where form and politics crossover, citing the various combinations, juxtapositions, and the play between artistic strategies.
ASCO Elite of the Obscure
Catalogue from the first retrospective to present the wide-ranging work of the Chicano performance and conceptual art group Asco. Exhibition held at the Los Angeles County Museum of Art (September – December 2011) and Williams College Museum of Art (February – July, 2012).
Who is Ana Mendieta?
This biography tells the fascinating and controversial story of the artist’s life and work in graphic format, from her immigration to the US from Cuba to escape the dictatorial regime in 1961, to her groundbreaking artworks which lead to her being one of the only Cuban Americans to have works in museums around the world, to her controversial and tragic death.
