Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
Speaking of Ireland Making England the Legal Destination for Abortion is a London-based, direct-action feminist performance group, challenging the restrictions placed on abortion services in Northern Ireland and the Republic of Ireland and campaigning for access to safe, legal and free abortion services globally. Contains FAQ about the group, and a list of talks, events, exhibitions, activities, actions, and articles.
In Misc folder 5B.
Shiro Masuyama and Sinéad O'Donnell drive from Tokyo to Fukushima tracking the level of radiation. The hot spots are in and around regular places; highways, playgrounds and some as far out as a UFO museum.
2:34
Documentation from the LAUK Gathering, at Watershed, Bristol on 12 February 2015. The Gathering considered the idea of the Storm as a metaphor for change.
This report brings together the findings of a series of public and private meetings with artists, creative and cultural professionals, economists, business leaders and other stakeholders, backed up by targeted research.
On the historical role of cultural institutions in Croatia.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Final Report of the Panel on Fair Access to the Professions. This article can be found in the Miscellaneous Articles 3 Binder.