On arts and public value,
| Artist / Author | Sir Christopher Frayling |
|---|---|
| Publisher | Arts Council England |
| Reference | P1700 |
| Date | 2005 |
| Type | Publication |
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
A critical examination of the varieties of multiculturalism and the way they structure difference.
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
A survey of visual art and alternative sexualities from the late nineteenth century to the present.
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.
Highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s.
Part of the Library of Performing Rights (P3041).
A collection of illustrated resources, designed to help you think about, talk about and plan a funeral celebration.
In glass cabinet.
Explains how Latinx political identities are tied to a long Latin American history of mestizaje—“mixedness” or “hybridity”—and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America’s infamously black–white racial regime.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.