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1709 results | Page 115 of 171

Yishu: Journal of Contemporary Chinese Art, September 2003
Editor: Ken Lum | Reference: P0464 | ISBN: ISSN 1683-3082 | Type: Publication

Collected during research trip to China and Hong Kong. February 2004.

This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)

China Hong Kong performance research

Lennie St. Luce
Artist/Author: Carl Heyward | Reference: A0487 | Type: Article

Review of Lennie St. Luce’s ‘Big Black Momma’

performance race sexuality spoken word women

Mzwakhe Mbuli
Artist/Author: Dan Furst | Reference: A0485 | Type: Article

Actor Dan Furst on the life and work of South African poet and performer Mzwakhe Mbuli.

apartheid dub poetry human rights mbaqanga performance performance poetry poetry politics race

A question of difference
Artist/Author: Mark Gaynor | Reference: A0484 | Type: Article

Mark Gaynor on the relation between theatre and fine art. In occasion of a debate published on the 8th National Review of Live Art.

fine art NRLA performance theatre

Showing the wires
Artist/Author: Steve Rogers | Reference: A0482 | Type: Article

Steve Rogers in conversation with Julian Maynard Smith, founder of Station House Opera.

endurance gravity performance theatre verticality

Breaking the frame
Artist/Author: Nick Kaye | Reference: A0483 | Type: Article

On the use of extreme in performance.

Antonin Artaud crisis durational endurance hermann nitsch pain performance Vito Acconci

Dead Season Live Art
Artist/Author: various | Reference: P1496 | Type: Publication

Margate’s First Beaux Arts Ball

Anat Ben-David Anthony Schrag Bedwyr Williams Connecting Nothing With Nothing Daniel Lehan festival Harold Offeh Kent life cycle Lighting The Wayward Ways Limbo Arts live art Macia Farquhar Marcia Farquhar Margate myth performance ritual seaside site specific The Return of the Dinghy King This Happy Band To The Shelter tradition winter

Unmarked, the politics of performance
Artist/Author: Peggy Phelan | Reference: P0118 | Type: Publication

An analysis of the fraught relation between political and representational visibility in contemporary culture.

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

abortion Angelika Festa anti-abortion Cindy Sherman criticism cultural production demonstration feminism feminist film Jennie Livingston Mira Schor Operation Rescue painting performance performance art photography politics psychoanalysis representation Robert Mapplethorpe theatre theory Tom Stoppard visibility Yvonne Rainer

Margate’s 1st Beaux Arts Ball
Artist/Author: Harold Offeh | Reference: D1459 | Type: DVD

Dead Season Live Art 2010, Margate. Limbo Arts. See P1496 for full Dead Season Live Art programme.

audience Beaux Arts Ball Benjamin Rowley buildings costume Dead Season Live Art dress-up fancy dress Harold Offeh Margate participation performance public parade

Tatton Park Biennial 2010: Framing Identity
Artist/Author: various | Editor: Danielle Arnaud, Jordan Kaplan | Reference: P1494 | Type: Publication

Kira O’Reilly as festival thinker-in residence.

animation Annika Eriksson Austin Houldsworth Breda Beban Brendan Flanagan Brian Aldiss Brian W. Aldiss Clara Ursitti Danielle Arnaud David Burrows David Houston Emma Ridgway festival film Fiona Curran Helen Marten Helen Maurer heritage human impact identity installation Jamie Shovlin Jem Finer Jimmie Durham Jordan Kaplan Kate MccGwire Kwong Lee landscape Marcia Farquhar Neville Gabie Oona Grimes outdoor art Parabola performance Rebecca Geldard Ryan Gander sculpture Simon O'Sullivan site Sophie Lascelles Steve Messam Tony Grisoni

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