Explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of ‘Cancer Performance’.
Part of Library of Performing Rights (P3041).
Exhibition catalogue. Wellcome Collection, 30 May 2019 – 26 January 2020.
Part of Library of Performing Rights (P3041).
In order to become ethically acceptable, surrogacy must change beyond recognition—but we need more surrogacy, not less!
Information on a new transdisciplinary project of plant / human / animal / machine hybridisation started in 2016.
The recent surge of interest in 1980s AIDS activists, shows how art can effect real change. Looking back also reveals how narrow current definitions of healthcare are and encourages us to agitate for a more diverse future.
Part of Library of Perfmorming Rights (P3041)
Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism.
Comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York’s East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Part of the Library of Performing Rights (P3041)
Project publication. Explores possibilities of queer hospice concepts, and what they could mean for their wider surroundings. Reflections on the future correspond sharply with the spaces of their respective residency, the Diakonie, which aids people in very direct questions concerning their present situation.
Part of the Library of Performing Rights (P3041).
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
A genuine, humorous, and powerful reflection on love, life, death, and “fighting sickness with sickness.” Edited and compiled by Sheree Rose and Rhiannon Aarons.