Exploring the life and works of Guy de Cointet who explored language through performance and visual art. 

Sophie Calle’s project Double Game interweaves the artist’s life with that of Maria, a character in Paul Auster’s novel ‘Leviathan’, blurring the lines between reality and fiction. Second edition

Selected writings of French surrealist Georges Bataille.

Anne Bogart’s collection of essay explore the storytelling impulse and asks how she, as a “product of postmodernism”, can reconnect to the prima act of making meaning and telling stories.

Written in the second person and in part generated from spam emails, this is a kick up in the backside for the male dominated London art world

From ritualistic horror and challenging meta-theatre, to discussions about dissection and death, this programme of events directs audiences towards moments of collision and discovery.

Can techniques traditionally thought to be outside the scope of literature, such as cutting and pasting, databasing, identity ciphering, and programming, inspire the reinvention of writing? As Goldsmith shows, the Internet and digital environment present writers with new opportunities to rethink creativity, authorship, and their relationship to language.

Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the second publication – Unsound Method II – the pages of Heart of Darkness are again redacted, this time in black, and leaving only words associated with darkness – night, gloom, shadow, black and so on – as visible traces on the page.

Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the first publication – Unsound Method I – the pages are redacted in white and only words associated with light – day, bright, sun, morning and so on – remain visible, carving out a poem which was always present in the material of the original novel.

“a loose collection of texts, sequenced like a mixtape” and dedicated to visions of real freedom in the present. Includes: Moyra Davey on writer’s block, Walter Benjamin, and Jane Bowles Bruce Hainley channels Paloma Picasso to jot some notes on Margie Schnibbe and the “explicit.” Bifo on Stanley Kubrick’s Eyes’s Wide Shut, and the relation between irony and cynicism Paul Virilio on seascape, inertia, and the Zynthia cyclone Chris Kraus and Sylvère Lotringer on George Porcari’s ambient photography Shlomo Sand and Sylvère Lotringer on contemporary Israel, myth, and the invention of Zionism. Alistair McCartney on early 90s bohemia in Hyde Park, Perth, Australia. Dodie Bellamy on queer subculture and the “Goldilocks syndrome.” Veronica Gonzalez’s short story on friendship, loss, and Los Angeles Rachel Kushner’s short story that takes up pubescence, motorcycles, and Flaubert’s lewd correspondence from the Nile. Eileen Myles on Winston Leyland’s legendary 70s tabloid, Gay Sunshine.

First screened at Performing Idea, October 2010, as part of the Performance Matters programme. Includes a transcript.

CIRCA (Contemporary Visual Culture in Ireland), Patrick Ireland, Joan Fowler: irish exhibition of living art, literature, installation. See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.