Mel Dolan reports on the Goat Island Summer School in Bristol 2001
Artists photographic book documenting the work of Joa Iselin and Christoph Razenhofer.
Kindly donated for the Swiss Live Art Study Room Guide.
Text in German
Edition of 800
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
On Forced Entertainment, prediction, and the community of audience.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).